"The Knights’ unusually fleet articulation of the iconic four-note motive in the opening movement and evasion of bombast in the final Allegro propel the music away from ruminations about tortured genius and into a realm in which the joy of music-making triumphs"

Musical America    

"you believe these knights of the round table are one step closer to the Holy Grail with this recording".

Bayerische Rundfunk