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"The Knights’ unusually fleet articulation of the iconic four-note motive in the opening movement and evasion of bombast in the final Allegro propel the music away from ruminations about tortured genius and into a realm in which the joy of music-making triumphs"


Musical America    


"you believe these knights of the round table are one step closer to the Holy Grail with this recording".


Bayerische Rundfunk

 

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